These are some of the elements that set this program apart from a typical private lesson or online course. We also know that not everyone benefits from the same exact balance of all of these features. Some learners require more planning, while others may require more validation. Your mentor will help find the equilibrium that’s right for you.

Add a little something extra to your music. Learn about all of the different scale types and modes that exist and the popular songs that make use of them, and all inside your DAW’s piano roll, in Soundfly’s game-changing free online music theory course series, Theory for Producers, taught by NYU professor Ethan Hein. Take your time, start and stop, and come back to it whenever you like! Check out the excerpt below and join the free course here.

Stay focused on bringing gear into your workflow that gives a sense of satisfaction to use. It’s not just about tone. It’s about the connection you have with your equipment!

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I love so many different kinds of music that this is such a difficult question, but I’d have to say my favorite music to play is groove-heavy R&B, as well as uptempo afrobeat/West African high life sort of music—basically, anything that really gets people up and moving.

Yet the question of commerce is also a factor, and Wu-Tang’s refusal to sell more than a single copy of the album bears a much stronger resemblance to the practices of creative commissioning and artistic production of the Renaissance. No distribution.

Stockings are coming down, crumpled wrapping paper’s being shoved into recycling bins, and people worldwide are skeptically patting their winter weight in anticipation of the coming year. While we whole-heartedly support your decisions to start taking cross-acro-zum-fit classes and maintaining a strict paleo-free-tarian diet, why not add something painless to your resolution list?

Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.

Producers will use this technique when they have a double chorus in their hands. If the second half of that double chorus will also be the final chorus, it can be a challenge to keep the energy at peak level. And, of course, nobody wants the final chorus to be one that loses its impact or gets boring near the end.

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An interval is simply the distance between two notes. We classify intervals in two ways— by quantity and by quality. Quantity tells us roughly how far apart the notes are on the scale; and quality tells us more about the unique sound of the interval or which scale it’s pulling from.

Soundfly welcomes new voices each month to offer unique perspectives, shine a light on unexpected musical worlds, and help our readers find their sound.

Most platforms have large engineering teams dedicated to all of this. We have a pretty good idea of how much money it’s costing these platforms every year, and we’re confident we can reduce that cost by at least 80%. At a time where profitability is key, I’d say we have a pretty appealing offer.

The eleventh edition of our student work sharing series, this one’s a summer blockbuster jam. Get ready to add some new tracks to your favorite playlist!

It’s always good to try to find ways to reengage with your collaborators even if they live elsewhere — developing and maintaining a network of home recording cowriters and musicians you can hit up is a very valuable musical practice. So last Friday, I shot him a text asking if he could track something for me by Sunday. I had a flawless solo take and some background parts less than two hours later.